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Phil Elverum, who used to play under the MICROPHONES moniker.
a bodhisattva or a megalomaniac sarcastic hippie? it's up to you.
the song also appears on the No Flashlight lp (the moan it's called there) - a revelation, to me.
but in a different version, this one being rawer, less controlled.
be in the dark without light. be in a relation to someone without any certitudes.
here's the 'real' Let's Get Out-song:
the black ink on the cover is as dark as can be. coal-black.
oh, and the vinyl is white. all the first Mount Eerie records had to be on white vinyl.
does it matter?
it does.

listen.
.

Phil Elverum, who used to play under the MICROPHONES moniker.
a bodhisattva or a megalomaniac sarcastic hippie? it's up to you.
the song also appears on the No Flashlight lp (the moan it's called there) - a revelation, to me.
but in a different version, this one being rawer, less controlled.
be in the dark without light. be in a relation to someone without any certitudes.
here's the 'real' Let's Get Out-song:
the black ink on the cover is as dark as can be. coal-black.
oh, and the vinyl is white. all the first Mount Eerie records had to be on white vinyl.
does it matter?
it does.

listen.
.
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