Earworm's very first release.
and so many, many 'forever fall in my heart'-memories instantly present, like the smell of fusty wet leaves on a rainy late winter day. damn.
Earworm's very first release.
and so many, many 'forever fall in my heart'-memories instantly present, like the smell of fusty wet leaves on a rainy late winter day. damn.
a fabulous comp 7" on Darla - just imagine, early My Morning Jacket sharing the vinyl with Holiday Flyer. those were the days...
nowadays fervently hated by many people. like my buddy T., who once commented on Ezra Koenig's singing this way: like Kermit the frog fucking its plastic duck in the tub.
quite poncey and oversmart. still, this is a great song.
in the fall of 2004, i went to a Magnolia Electric Co. show at Sala Rossa in Montréal. I sincerely thought, five minutes after the show had started, that it was meant as a deeply ironic Neil Young tribute (at least in comparison to the Songs:Ohia show i had been at five years before in Brighton, where Molina had been all alone on stage).
it was not, of course. needless to say, i quickly left the show.
on this Western Vinyl 7" - it's the last post with that tag on, one goal achieved... - Molina takes another kind of Youngish path. Less americana, more Dead Man style, he's overtly quoting one guitar riff of the soundtrack.
definitely an essential song in his extensive discography.
simultaneous listening sessions with, say, the Vivian Girls are very welcome.
how refreshing, in comparison!
(this is the first comp 7" on Papercut Records. The second issue is to be found here.)
Mark Robinson. genius by all means. on his new adverts-fetish-project together with his wife, Blast Off Country Style's Evelyn Hurley. including the essential jingles for Anderson McQuaid and Canobie Park.
even though the song is brilliant, it's mostly a welcome pretense to post this video:
[ ? . ! ? ]
listen.two of F.'s heroes.
he's right, on that one.
bought in a kulturgüterrausch last week. (quite a stupid comment, considering what Mister Blumm's oeuvre is all about.)
everybody's indie-darling since, hm, 1995.
Adrian Tomine did the artwork. oh yes.
as far as i know, the only flexi to have been released by Slumberland.
definitely one of the best Wurlitzer releases.
listening to this, i remember one brief conversation topic last friday at Japanther's West Germany show with M. and K. i argued that having been a teenager in the mid-nineties had determined my physiognomy preferences. seriously. if i can't potentially relate someone's face to a mid-nineties mtv or viva2 vid, then we'll likely remain strangers to each other.